I could write only for flute for the rest of my life and be a happy man. Normally I would use a short theme like this and, over time, explore all of the timbrel possibilities of the flute, but I'm keeping this short so for now you get only a taste.
Thursday, June 5, 2008
Twenty-three.
For flute.
I could write only for flute for the rest of my life and be a happy man. Normally I would use a short theme like this and, over time, explore all of the timbrel possibilities of the flute, but I'm keeping this short so for now you get only a taste.
I could write only for flute for the rest of my life and be a happy man. Normally I would use a short theme like this and, over time, explore all of the timbrel possibilities of the flute, but I'm keeping this short so for now you get only a taste.
Tuesday, June 3, 2008
Sunday, June 1, 2008
Twenty.
This is for celesta. This is a transposing instrument, in that the celesta sounds a full octave higher than what is written.
I've always been a fan of this instrument, though it doesn't always get much use because of its somewhat quiet nature. In an orchestra it can be completely drowned out if the ochestration isn't carefully handled. Give a listen to Holst's The Planets in the movement titled Neptune, the Mystic for a good example of the celesta in a full orchestra, or Bartok's Music for Strings, Percussion and Celesta for its use in a smaller ensemble.
I've always been a fan of this instrument, though it doesn't always get much use because of its somewhat quiet nature. In an orchestra it can be completely drowned out if the ochestration isn't carefully handled. Give a listen to Holst's The Planets in the movement titled Neptune, the Mystic for a good example of the celesta in a full orchestra, or Bartok's Music for Strings, Percussion and Celesta for its use in a smaller ensemble.
Host down ... argh.
Looks like my site where I store the images and mp3s is down.
Hopefully it's only temporary.
EDIT: Back up.
Hopefully it's only temporary.
EDIT: Back up.
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